In Coralie Fargeat's new feminist terror film The Substance, hazardous popular appeal requirements are the actual creatures. They (female objectification, the fingertip of "the outdated," the spread of a field improved body alteration) nourish a monster of a cycle that leads Demi Moore's fading TV individual character Elisabeth Glimmer to choos

40 years after John Carpenter's Halloween, a new entry in the series seeks to do one thing if nothing else... write out of existence literally every single sequel in the franchise, and the Rob Zombie films to boot. Other than that, exactly how does it stack up as a (click now to read articles) modern slasher, as well as a Halloween movie?Source:

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